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Free for Commercial Use

Print Ormah 4 is a light, normal width, low contrast, italic, normal x-height font.

Keywords: greeting cards, packaging, posters, social media, children’s content, friendly, casual, playful, approachable, warm, handwritten warmth, casual voice, friendly branding, everyday notes, hand-drawn, rounded, monoline, bouncy, quirky.


Free for commercial use
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A casual, hand-drawn italic with a monoline feel and softly rounded terminals. Strokes show subtle wobble and gentle tapering that suggest pen or brush movement, with lively baseline bounce and irregular rhythm across forms. Counters are open and roomy, curves are broad, and joins stay simple rather than calligraphically complex. Uppercase letters are slightly narrow and upright-leaning with smooth, simplified construction, while the lowercase introduces more personality through looped descenders and varied entry/exit strokes. Numerals follow the same informal logic, with rounded shapes and easy, readable silhouettes.

This font works well where an informal, handwritten tone is desired—greeting cards, invitations, short headlines, packaging callouts, and social media graphics. It can also support playful editorial pull quotes or children-oriented materials, especially at medium-to-large sizes where the hand-drawn texture reads clearly.

The overall tone is relaxed and personable, like quick marker lettering or informal note-taking. Its slight slant and springy spacing give it an energetic, conversational voice that feels playful without becoming chaotic. The texture reads human and approachable, making it well-suited to friendly messaging and lighthearted branding.

The likely intention is to provide a legible, print-style handwritten italic that feels spontaneous and human while staying consistent enough for continuous reading. It aims for an everyday, friendly voice—more like quick pen lettering than formal script—balancing charm with straightforward letter construction.

The design favors clarity over flourish: letterforms remain unconnected, but many show subtle stroke endings that imply handwriting direction. Spacing appears intentionally uneven in a natural way, contributing to a handcrafted texture, especially in longer text where the rhythm feels animated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸