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Free for Commercial Use

Sans Superellipse Tegab 6 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Chamferwood JNL' by Jeff Levine, 'Nulato' by Stefan Stoychev, and 'Radley' by Variatype (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, merchandise, industrial, athletic, stencil-like, rugged, retro, impact, durability, signage, display, texture, octagonal, chamfered, blocky, compact, gritty.


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A compact, heavy block sans with squared counters and pronounced chamfered corners that give many forms an octagonal, cut-out silhouette. Strokes are largely uniform and monolinear, with minimal curvature and a strong reliance on straight segments; round letters like O and C read as rounded-rectangle constructions rather than true circles. Terminals are blunt and flat, with occasional notch-like joins and slightly rough, distressed edges that add texture without breaking the overall solidity. Spacing is tight and the proportions feel condensed, producing dense, high-impact word shapes in both uppercase and lowercase.

Best suited to short, high-contrast settings such as headlines, posters, sports and event branding, packaging, and merchandise graphics where its dense, chunky shapes can carry impact. It can also work for labels or UI callouts when used sparingly at larger sizes, but the tight forms and rugged edges favor display use over long reading.

The font conveys a tough, utilitarian tone—part sports headline, part industrial labeling—with a slightly worn, printed feel. Its faceted geometry and dark color create an assertive, no-nonsense voice that reads as energetic and durable rather than refined.

The design appears intended to deliver maximum visual punch through compact width, heavy mass, and a faceted, machined geometry. The slight roughness suggests an aim for a printed or stamped character, balancing strict structure with a hint of grit for more characterful branding.

Lowercase follows the same angular logic as the capitals, keeping bowls and apertures compact for a cohesive texture. Numerals share the chamfered construction and maintain a consistent, sign-like presence that aligns well with the uppercase rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸