Font Hero

Free for Commercial Use

Hollow Other Atba 1 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Chankfurter' by Chank, 'Grupi Sans' by Dikas Studio, 'Otter' by Hemphill Type, 'Marquee' by Pelavin Fonts, and 'DINosaur' by Type-Ø-Tones (names referenced only for comparison).

Keywords: kids branding, packaging, posters, stickers, headlines, playful, bubbly, cartoon, candy-like, cheerful, display impact, playful branding, dimensional feel, novelty texture, rounded, soft, chunky, puffy, glossy.


Free for commercial use
Customize the font name

A heavy, rounded display face with inflated, blob-like strokes and soft terminals throughout. Letterforms are built from broad, smooth shapes with simplified geometry and minimal sharp corners, producing an even, friendly silhouette. Inside many strokes, small teardrop and oval knockouts create a distinctive hollowed, highlight-like effect that reads as glossy dimples rather than traditional counters. Spacing feels open for the weight, and proportions vary slightly from glyph to glyph, reinforcing an informal, hand-drawn rhythm while maintaining consistent stroke mass.

Best suited to short, attention-grabbing text such as kids-oriented branding, confectionery or novelty packaging, playful posters, stickers, and social graphics. It performs well as a headline or logo style where the puffy silhouettes and interior knockouts can be appreciated, rather than in long passages of small text.

The overall tone is lighthearted and snackable—more toy-store and sticker-sheet than formal typography. The internal cutouts add a shiny, candy-coated feel that increases whimsy and makes the font feel animated and approachable.

The design appears intended to deliver a bold, friendly display voice with built-in visual texture via hollowed highlight cutouts. Its rounded construction and shiny details suggest an aim toward fun, accessible communication and high-impact titles that feel soft, upbeat, and characterful.

The glossy knockouts sit near outer curves and joins, acting like built-in highlights and giving black fills a dimensional, almost rubbery character. Curves dominate across both uppercase and lowercase, helping the type remain legible at larger sizes while emphasizing its novelty personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸