Wacky Abnul 3 is a very bold, wide, low contrast, upright, tall x-height font.
Keywords: posters, headlines, logos, packaging, kids media, playful, quirky, cartoonish, mischievous, bubbly, humor, character, display impact, hand-cut feel, attention-grabbing, chunky, soft-edged, notched, blobby, hand-cut.
A heavy, chunky display face with broadly rounded bowls and a soft, blobby silhouette that’s interrupted by small notches and irregular cuts. Curves dominate, but many joins and terminals show deliberate nicks, wedges, and flattened spots that create a hand-cut, slightly “melted” rhythm. Proportions are compact and tall in the lowercase, with large counters and simplified, geometric-ish construction that stays consistent across letters and figures. Numerals and capitals follow the same thick, sculpted logic, emphasizing mass and clear interior space over fine detail.
Best suited to short, high-impact settings like posters, event titles, packaging, badges, and logo wordmarks where its quirky cuts and chunky forms can be appreciated. It also fits playful branding, kids-oriented media, and comic or game-adjacent graphics, especially when set large with comfortable tracking.
The overall tone is playful and offbeat, with a goofy, animated energy that feels like paper-cut lettering or cartoon title art. Its intentional imperfections read as humorous and a little mischievous rather than distressed or serious, giving headlines a friendly, wacky personality.
This design appears intended to deliver a bold, humorous display voice through simplified forms and deliberately irregular terminal cuts. The consistent use of notches and soft massing suggests a goal of creating a memorable, characterful texture rather than typographic neutrality.
The notched detailing can create visual sparkle at larger sizes but may turn into dark lumps at small sizes, so spacing and size choice will matter. Round letters (O, Q, o, e) present strong, stable shapes, while diagonals and sharp forms (V, W, X, Z, 4, 7) lean into the cutout aesthetic with more angular interruptions.