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Free for Commercial Use

Sans Normal Odkam 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'CF Panoptik' by Fonts.GR, 'Marcher' by Horizon Type, 'Geograph' by Sarah Khan, 'Brother 1816' by TipoType, and 'Klein' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, logos, packaging, bold, confident, sporty, punchy, urban, headline impact, brand presence, signage clarity, poster punch, logo strength, angular terminals, blocky, chiseled, compact counters, dense texture.


Free for commercial use
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A heavy, geometric sans with compact counters and a strong, even stroke weight. Curves are broadly rounded, while many joins and terminals are cut with crisp angles, creating a faceted, chiseled finish rather than purely smooth endings. The proportions are sturdy and blocky, with wide, stable shapes in capitals and a dense, cohesive texture in text; numerals follow the same solid, simplified construction for a consistent, high-impact rhythm.

Best suited for headlines, posters, packaging callouts, and branding where you want an emphatic, contemporary presence. It can work well for sports identities, event promotions, album/cover graphics, and short UI labels or signage where bold forms need to hold up at a glance. For longer passages, it will feel dense and dominant, so it’s most effective as a display face rather than body text.

This typeface feels assertive and energetic, with a bold, attention-grabbing voice that reads as confident and straightforward. The sharp, angled detailing adds a slightly rugged, streetwise edge, giving it a modern, punchy tone that can lean sporty or poster-like depending on setting and color.

The design appears intended to deliver maximum visual impact at medium-to-large sizes, prioritizing strong silhouettes and quick recognition. Its angled cuts and simplified forms suggest a goal of adding character without introducing delicate details, keeping the overall color solid and commanding.

Distinctive triangular cuts appear on several terminals and joins, creating a consistent faceted motif across caps, lowercase, and numerals. The overall spacing and heavy weight produce a compact typographic color, and the shapes remain clean and highly legible despite the stylized edge treatments.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸