Sans Superellipse Moris 5 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Neumatic Gothic Round' by Arkitype; 'Dharma Gothic', 'Dharma Gothic P', and 'Dharma Gothic Rounded' by Dharma Type; and 'Galeana' by Latinotype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, energetic, industrial, modern, space saving, high impact, speed, modern utility, display clarity, condensed, oblique, rounded, superelliptic, monolinear.
A condensed oblique sans with heavy, monolinear strokes and rounded-rectangle (superelliptic) curves throughout. The letters are tall and tightly set, with compact apertures and a consistent forward slant that creates a fast, compressed rhythm. Terminals are softly rounded rather than sharp, and counters tend toward squared ovals, keeping forms sturdy and uniform. The overall texture is dense and dark, with simplified geometry and minimal modulation.
Well suited to headlines, posters, and short emphatic messaging where a compact, high-impact voice is needed. It fits sports branding, product packaging, and bold signage that benefits from a condensed footprint and forward motion. Use with generous tracking or larger sizes when clarity is critical due to the dense strokes and tight internal spaces.
The combination of bold mass, narrow proportions, and a steady forward lean conveys speed, pressure, and high output. Rounded corners soften the impact slightly, but the overall tone remains assertive and performance-driven, leaning toward contemporary sports and industrial signage aesthetics.
The design appears intended to deliver maximum impact in minimal horizontal space while projecting speed and modernity. Its superelliptic rounding and monoline construction aim for a clean, contemporary feel that remains robust and highly legible in display contexts.
Round characters like O, Q, and 0 read as superelliptic capsules rather than pure circles, reinforcing the geometric theme. Diagonals and joins stay clean and thick, maintaining a strong silhouette at display sizes, while smaller apertures suggest it will look best when given enough size and breathing room.