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Sans Superellipse Moris 6 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'FF Good' by FontFont, and 'East' by Tarallo Design (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, signage, condensed, athletic, retro, poster-ready, punchy, space-saving impact, speed emphasis, bold display, geometric uniformity, rounded, squared-off, oblique, monoline, high-shouldered.


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A compact, heavy, oblique sans with rounded-rectangle construction and softened corners throughout. Strokes are largely monoline, producing a strong, even color, while counters are tight and tall, emphasizing a compressed vertical rhythm. Curves resolve into squarish bowls and terminals, giving letters a superelliptical, engineered feel rather than a calligraphic one. The uppercase is narrow and upright in structure but consistently slanted, and the lowercase carries a sturdy, utilitarian build with simple, compact forms and short ascenders/descenders relative to the overall narrow set.

Best suited for short-to-medium headline settings where a dense, attention-grabbing texture is desired—posters, packaging callouts, branding wordmarks, sports and event graphics, and bold signage. It can also work for compact UI labels or badges when used at sufficient size and with generous tracking to preserve clarity.

The overall tone is assertive and energetic, with a sporty, headline-driven character. Its oblique stance and tightly packed shapes evoke speed and momentum, while the rounded corners keep the impact friendly rather than harsh. The look leans toward vintage display typography often associated with signage, team marks, and bold promotional graphics.

The design appears intended to deliver maximum impact in minimal horizontal space, combining a fast, forward-leaning stance with rounded-rectangle geometry for a contemporary-retro display voice. It prioritizes strong silhouette and consistent stroke weight to maintain presence across varied letter shapes.

Digits and punctuation visually match the heavy, condensed texture, making mixed alphanumeric strings feel cohesive. The design’s squarish curves and tight apertures reward larger sizes where the interior spaces can breathe, and its consistent slant creates a strong directional flow across words.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸