Sans Superellipse Meto 1 is a bold, normal width, monoline, italic, normal x-height font.
Keywords: sports branding, tech branding, gaming ui, headlines, posters, futuristic, sporty, tech, dynamic, confident, high impact, speed and motion, modern branding, ui clarity, geometric coherence, rounded corners, squared forms, oblique, tight apertures, ink-trap feel.
A compact, oblique sans built from squared, superelliptical forms with generously rounded corners. Strokes are even and heavy, with smooth, brushless curves that transition into flattened terminals, giving many letters a rounded-rectangle silhouette. Counters tend toward rectangular and slightly condensed openings, while joins and notches create a subtle ink-trap feel at interior corners. The rhythm is energetic and forward-leaning, with consistent curvature and a sturdy, engineered presence across caps, lowercase, and numerals.
Best suited to display contexts such as sports and esports identities, tech and product branding, game/UI titles, packaging callouts, and short, high-impact headlines. It can work for compact interface labels where a bold, modern voice is needed, but the dense weight and tight openings make it less ideal for extended body copy.
The overall tone feels fast, technical, and assertive—like performance branding and digital interfaces. Its squared rounds and forward slant read as modern and sporty, balancing friendliness from the soft corners with a purposeful, machine-made edge.
The letterforms suggest an intention to merge soft-cornered industrial geometry with speed and motion. It appears designed to feel contemporary and performant, prioritizing strong silhouettes, consistent rounded-rectangle construction, and high-impact readability in branding and on-screen settings.
Uppercase forms emphasize angular geometry (notably in E/F/G) while maintaining softened corners, and the numerals echo the same rounded-rect construction for a cohesive set. The design’s tighter apertures and strong diagonals help preserve clarity at display sizes, while the heavy, uniform strokes can become dense in long passages.