Sans Superellipse Otreg 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Hudson NY Pro' by Arkitype, 'Navine' and 'Revx Neue' by OneSevenPointFive, and 'Octin College' by Typodermic (names referenced only for comparison).
Keywords: headlines, logos, posters, signage, packaging, tech, industrial, sporty, utilitarian, futuristic, impact, clarity, modernity, geometric character, brand presence, rounded corners, squared curves, compact, high contrast counters, octagonal feel.
A sturdy, geometric sans built from rounded-rectangle and superellipse-like forms. Strokes are consistently heavy with clean, monoline construction and softly chamfered/rounded terminals that keep edges crisp rather than fully circular. Curves resolve into squarish bowls (notably in C, O, e, and o), giving counters a compact, engineered feel. Uppercase shapes are broad and stable with firm horizontals and verticals, while lowercase stays similarly geometric, with single-storey a and g and a squared, open-shouldered rhythm across n, m, and h. Numerals follow the same rounded-corner geometry, producing uniform, blocky figures that read clearly at display sizes.
Well-suited to branding and titling where a strong geometric voice is needed—headlines, logos, posters, and product/packaging graphics. The clear, blocky forms and consistent stroke weight also make it a good candidate for wayfinding-style signage and UI/tech-themed display text when set at larger sizes.
The overall tone is modern and technical, with a pragmatic, machine-made confidence. Its rounded-square geometry suggests contemporary interfaces, athletic branding, and industrial labeling—bold without being aggressive, and friendly without turning casual.
Likely designed to deliver a compact, high-impact geometric sans that merges rounded-corner friendliness with industrial precision. The emphasis on squared curves and consistent weight points to a display-forward font intended for modern, tech-leaning visual systems.
The design leans on tight apertures and compact counters, so it presents best when given a bit of breathing room in tracking and line spacing. Diagonals (A, V, W, X, Y) are sharp and clean, adding energy to an otherwise rectilinear structure.