Sans Superellipse Ongez 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Nilish' by Ahmet Altun, 'MC Nathos' by Maulana Creative, and 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, logos, ui labels, posters, packaging, futuristic, techy, industrial, game-like, clean, modernize, systematize, signal technology, maximize impact, improve clarity, rounded corners, squared forms, geometric, condensed feel, high contrast openings.
A geometric sans with squared, superellipse-like bowls and generously rounded corners. Strokes are consistently thick and even, producing a sturdy, monolithic silhouette with clear vertical stress and mostly flat terminals. Counters tend to be rectangular with softened corners, and many joins are tight, giving letters a compact, engineered rhythm. The uppercase feels wide and stable, while the lowercase stays simple and modular with minimal calligraphic influence; figures follow the same rounded-rectangle logic for a cohesive set.
Best suited to short-to-medium display settings such as headlines, branding wordmarks, product packaging, and UI labels where its geometric texture can read clearly. It can also work for short paragraphs or captions in high-contrast layouts, particularly in tech, gaming, and modern industrial contexts.
The overall tone reads contemporary and technical, with a controlled, machine-made character. Its rounded-square geometry adds friendliness without losing an industrial, utilitarian edge, evoking interfaces, hardware labeling, and sci‑fi display typography.
The design appears intended to deliver a bold, modern voice through a system of rounded-rectangle primitives, prioritizing uniformity and clarity over traditional typographic modulation. It aims for strong recognizability and a consistent, modular look across letters and numerals.
Distinctive squared bowls and clipped curves create strong texture at text sizes, while the generous rounding prevents the forms from feeling harsh. Wide apertures and large interior spaces help keep dense strokes from closing up, especially in letters with enclosed counters and in the numerals.