Sans Superellipse Hokim 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Futo Sans' by HB Font, 'Univia Pro' by Mostardesign, 'Foros' by ParaType, and 'Byker' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, bold, modern, friendly, compact, industrial, impact, legibility, compactness, modern branding, geometric consistency, rounded, blocky, geometric, soft corners, dense.
A heavy, geometric sans with squarish counters and broadly rounded corners, giving many letters a superellipse/rounded-rectangle skeleton. Strokes are uniform and blunt-ended, with crisp interior apertures and a compact, space-efficient footprint. Curves stay tight and controlled (not fully circular), while joins and terminals remain squared-off or gently radiused for a sturdy, machined feel. Numerals and capitals read as wide and stable, and the overall rhythm is dense with short extenders and strong vertical emphasis.
Best suited to headlines, posters, short blurbs, and brand marks where strong presence and compact set-width are valuable. It also fits signage, UI labels, and packaging panels that need high-impact legibility in limited space. In longer passages, its dense texture and heavy weight suggest using generous spacing and moderate sizes for comfort.
The tone is confident and contemporary, balancing toughness with approachability through softened corners. It feels pragmatic and utilitarian—like product labeling or wayfinding—yet friendly enough for playful, bold messaging. The weight and compactness add urgency and impact, making text feel assertive without becoming sharp or aggressive.
The design appears intended to deliver maximum visual punch with a coherent rounded-rectilinear geometry, combining a solid industrial build with softened corners for warmth. It prioritizes uniform stroke strength and compact shapes to create bold, efficient word images and high contrast against backgrounds.
Round letters such as C, O, and G lean toward rounded-square forms rather than perfect circles, reinforcing a consistent geometric system. The lowercase shows simple, robust constructions (single-storey forms where applicable) with minimal delicacy, favoring clarity at large sizes and strong color in blocks of text.