Sans Superellipse Gubat 1 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Qubo' by Hoftype, 'Bega' by Indian Type Foundry, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, branding, packaging, posters, signage, friendly, modern, confident, clean, approachable, impact, clarity, approachability, modernity, simplicity, rounded, geometric, blocky, compact, soft-cornered.
This typeface is a heavy, rounded sans with forms built from squared-off curves and soft corners, giving many letters a superellipse-like silhouette. Strokes are uniform and sturdy, with large, open counters and straightforward terminals that keep shapes calm and highly legible. The lowercase is simple and workmanlike, with a single-storey a and g, a compact r, and a t with a short, sturdy crossbar; the overall rhythm is even and dense without feeling cramped. Numerals are similarly solid and rounded, with clear differentiation and a consistent, no-nonsense construction.
Well-suited to headlines, logos, and brand systems that need a bold, friendly modern voice. The sturdy shapes and open counters also make it a good fit for signage and packaging where clarity at a distance matters, and for UI or product marketing callouts that benefit from a compact, confident texture.
The tone reads contemporary and approachable, combining a friendly softness at the corners with a confident, high-impact presence. It feels utilitarian in the best sense—direct, readable, and steady—while still carrying a warm, slightly playful geometric character.
The design appears intended to deliver high-impact readability with softened geometry—pairing strong weight and simple construction with rounded corners to feel modern and approachable rather than harsh. Its consistent stroke behavior and uncomplicated letterforms suggest a focus on dependable, versatile display typography for contemporary communication.
Round letters (C, G, O, Q) lean toward rounded-rectangle geometry rather than perfect circles, and diagonals (V, W, X, Y) are thick and stable, supporting strong display presence. Overall proportions and spacing favor clarity in large sizes, with a robust texture that holds together in short phrases and headlines.