Sans Superellipse Otros 8 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Navine' by OneSevenPointFive, 'Gemsbuck Pro' by Studio Fat Cat, and 'Yoshida Soft' by TypeUnion (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, signage, industrial, utilitarian, techy, retro-futuristic, assertive, impact, clarity, durability, space-efficiency, branding, blocky, compact, dense, engineered, geometric.
This is a heavy sans with rounded-rectangle construction and large corner radii that give curves a superelliptical, “soft-square” look. Strokes are uniformly thick with minimal modulation, and many glyphs show narrowed apertures and compact counters, creating a dense, high-impact texture. Terminals are predominantly straight and blunt, with squarish bowls and rounded corners; diagonals (like in V, W, X) stay crisp and sturdy. The lowercase follows the same squared geometry, with a single-storey a and g and a compact, engineered rhythm across words.
It suits headlines, logos, packaging, posters, and sports or event graphics where a firm, compact impression is desirable. The squared-round geometry also works well for UI titles, product branding, labels, and wayfinding-inspired designs that benefit from an industrial, system-like aesthetic. In longer text it will feel heavy and tightly textured, so it’s best used at larger sizes with comfortable spacing.
The overall tone is industrial and purposeful, with a confident, no-nonsense voice. Its squared-yet-rounded forms evoke utilitarian signage and contemporary tech interfaces, while the condensed feel in many letters adds urgency and punch. The mood reads modern, mechanical, and slightly retro-futuristic rather than friendly or delicate.
The design appears intended to deliver strong presence with a geometric, rounded-rect silhouette that stays consistent across uppercase, lowercase, and figures. By keeping strokes even and corners generously rounded, it aims for a robust, manufactured feel while maintaining clear letter identities in display sizes. The compact internal spaces and narrow openings suggest an emphasis on solidity and bold word shapes over airy readability.
The figures are similarly block-built and prominent, reinforcing a display-oriented personality. Uppercase forms are tall and condensed in feel, and the overall spacing creates a strong, continuous rhythm when set in all caps. The rounded corners consistently soften the otherwise squared construction, keeping the style cohesive across the set.