Hollow Other Wofi 3 is a regular weight, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, album art, packaging, art deco, futuristic, experimental, playful, ornamental, display impact, decorative system, graphic texture, retro futurism, cutout, modular, geometric, monoline, hairline.
This typeface is built from geometric, modular shapes with extremely thin hairline connections paired with heavier, rounded terminals and counters. Many letters rely on partial outlines and strategic knockouts, producing a hollowed, stencil-like rhythm where strokes appear to “blink” between solid blocks and delicate lines. Curves are soft and rounded, while verticals are often reduced to single hairline stems, creating dramatic light–dark alternation and an airy, engineered texture. Overall spacing feels somewhat irregular by design, with glyph-to-glyph width variation contributing to a lively, constructed feel.
Best suited for short-to-medium display settings such as headlines, posters, brand marks, album covers, and packaging where its cutout geometry can function as a graphic element. It is especially effective for cultural, nightlife, and design-forward contexts that benefit from a distinctive, ornamental texture.
The font conveys a sleek, retro-futurist and Art Deco-leaning mood, mixing elegance with a quirky, experimental edge. Its cutout construction and high-contrast rhythm make it feel stylized and theatrical rather than neutral, with a playful sophistication suited to statement typography.
The design intention appears to be creating a distinctive display face that fuses Deco-inspired geometry with a modern, experimental cutout system. By balancing bold terminals against hairline structure and using knockouts as defining features, it aims to deliver high-impact letterforms that function as both text and pattern.
In text, the frequent hairline strokes and internal openings create a shimmering, patterned color on the page, with character recognition driven as much by negative space as by stroke mass. The design reads best when given room to breathe, as the thin joins and open forms become a key part of the visual identity.