Font Hero

Free for Commercial Use

Hollow Other Hali 2 is a light, wide, very high contrast, upright, normal x-height font.

Keywords: posters, titles, logos, album art, game ui, glitchy, industrial, techno, experimental, edgy, visual impact, texture, sci-fi tone, disruption, branding, outlined, stencil-like, cutout, modular, angular.


Free for commercial use
Customize the font name

A geometric, wide display face built from rounded-rectangle outlines with thin strokes and large counters. Many glyphs include irregular internal knockouts and filled patches that interrupt the outlines like chipped enamel or fragmented inlays, creating strong figure/ground shifts. Terminals are mostly squared and corners are softly rounded, giving a modular, constructed feel; the baseline rhythm is steady but the interior cut patterns introduce deliberate unpredictability. The overall color on the page stays airy due to the open contours, while the sporadic black inserts add sharp accents and texture.

Best suited for large-scale applications where its outlines and internal cutouts can be appreciated: posters, title treatments, branding marks, album/cover art, and tech-themed graphics. It can also work for short UI headings or game/interface overlays when used with generous size and spacing, but it is less appropriate for long-form reading.

The font reads as futuristic and hacked-together—part sci‑fi interface, part distressed stencil. Its broken-internals and alternating solid/void moments suggest noise, interference, or corrosion, giving it a tense, high-energy personality. The tone is more experimental and graphic than friendly, with a distinctly digital/industrial attitude.

The design appears intended as a graphic display alphabet that fuses a clean, rounded-rectangular scaffold with intentionally irregular knockouts to create a distinctive, glitch-textured silhouette. The goal seems to be immediate visual impact and a recognizable system-like structure, while still feeling disrupted and experimental.

In sample text, the outline structure keeps words legible at larger sizes, but the internal fractures can create busy spots in dense lines. The mix of smooth rounded outer geometry with jagged interior cutouts produces a strong contrast between order and disruption, which becomes a key identifying texture across letters and numerals.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸