Sans Superellipse Vekal 5 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Midsole' by Grype (names referenced only for comparison).
Keywords: branding, headlines, ui display, tech packaging, posters, futuristic, technical, sleek, sporty, digital, modernization, speed, systematic design, tech styling, distinctive silhouette, rounded corners, squared forms, oblique slant, monoline, extended width.
A monoline sans with a consistent oblique slant and an extended, horizontally oriented stance. Curves are built from rounded-rectangle and superellipse-like geometry, producing squarish bowls and softly chamfered corners rather than true circles. Strokes keep even thickness with clean, straight terminals, and the joins and counters stay open and controlled, giving the design a crisp, engineered rhythm across text. Figures and capitals echo the same rounded-square construction for a highly uniform, system-like texture.
Best suited to branding, headlines, and short-to-medium passages where its distinctive rounded-square forms can carry a strong visual identity. It can work well for UI or product surfaces that aim for a modern, technical voice, and for posters or titling where the slanted, extended proportions add momentum.
The overall tone feels futuristic and technical, with a streamlined, performance-oriented flavor reminiscent of industrial labeling, sci‑fi interfaces, and motorsport aesthetics. Its rounded-square construction reads modern and precise while staying approachable due to the softened corners and smooth curves.
The design appears intended to translate rounded-rectangular geometry into an oblique, contemporary sans that reads cleanly in motion-oriented contexts. Its uniform stroke and systematic shaping suggest a focus on consistency and a recognizable, tech-forward silhouette across letters and numerals.
The oblique angle is pronounced and consistent across upper and lowercase, helping create a fast, forward-leaning motion. Many round letters (such as O/Q and 0) appear more like rounded rectangles, reinforcing a cohesive “tech geometry” look in both display and longer samples.