Sans Superellipse Engan 5 is a bold, wide, monoline, italic, normal x-height font.
Keywords: sports branding, tech branding, gaming ui, posters, headlines, futuristic, technical, sporty, dynamic, sleek, convey speed, signal tech, modern branding, geometric clarity, display impact, rounded, square-ish, geometric, extended, oblique.
A rounded-rect, superellipse-driven sans with an oblique stance and a distinctly extended footprint. Strokes are consistently even, with softened corners and flattened curves that read as squared-off bowls and counters. Open apertures and simplified joins keep the letterforms crisp, while horizontal elements often feel slightly compressed against the forward slant, creating a fast, aerodynamic rhythm. Numerals and uppercase forms mirror the same rounded-square geometry, with clear, modular construction and sturdy, uniform terminals.
Well suited to branding and display contexts where a fast, modern impression is desirable—sports identities, gaming and esports visuals, tech product marks, event posters, and punchy headlines. It also works for short UI labels or interface elements when you want a futuristic tone, though its strong slant and extended forms will be more effective in larger sizes and shorter text runs.
The overall tone is contemporary and kinetic, suggesting speed, precision, and engineered efficiency. Its rounded-square shapes and forward lean evoke a techno and motorsport sensibility—confident, modern, and action-oriented rather than neutral or bookish.
The type appears designed to deliver a streamlined, contemporary voice built from rounded-rectangle geometry, combining clarity with a sense of motion. Its consistent stroke weight and squared curves aim for a clean, engineered look that remains expressive in branding and display applications.
The design relies heavily on rounded corners and rectangular curves, giving counters a squared feel that stays consistent across caps, lowercase, and figures. The oblique angle is pronounced, so spacing and texture read tighter at smaller sizes, while at display sizes the geometric personality becomes a defining feature.