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Free for Commercial Use

Sans Other Vega 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Panton' by Fontfabric, 'Mazot' by Hurufatfont, 'Neusa Neu' by Inhouse Type, 'Glimp Rounded' by OneSevenPointFive, 'NeoGram' by The Northern Block, and 'Coben' by cretype (names referenced only for comparison).

Keywords: headlines, posters, logo design, packaging, apparel, playful, retro, sporty, quirky, friendly, distinctive texture, high impact, retro display, custom branding, rounded, stencil-like, slanted, soft-cornered, chunky.


Free for commercial use
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A heavy, rounded sans with a consistent forward slant and soft, blunted terminals. Many letters feature deliberate inline breaks and notches that create a stencil-like, segmented construction, often slicing through bowls, joins, and crossbars. Curves are smooth and inflated, counters tend toward rounded-rectangular shapes, and the overall rhythm is bouncy with slightly irregular, hand-cut energy. Numerals and capitals keep the same chunky geometry, with simplified, high-impact silhouettes designed to read as shapes as much as letters.

Best suited to display settings where the segmented forms can be appreciated—headlines, posters, branding marks, packaging, and apparel graphics. It works well for short phrases and punchy titles, and can add a distinctive, patterned texture to large-scale signage or social graphics.

The cut-in segments and rounded weight give the face a playful, retro-leaning voice that feels energetic and informal. Its slanted stance adds motion, while the repeated breaks introduce a crafty, customized attitude reminiscent of decals, skate or surf graphics, and vintage display lettering.

The design appears intended to merge a friendly rounded sans base with purposeful cutouts that create a recognizable stencil/inline signature. The goal seems to be high-impact display typography with motion and personality, prioritizing visual texture and brandability over neutral text clarity.

The internal gaps can reduce continuity in small sizes, but they create strong texture and a distinctive pattern in headlines. The segmented strokes also make spacing feel more open than the weight alone would suggest, producing a lively, patterned color across words and lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸