Sans Superellipse Nuliv 1 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Nexgen SLD' by Alphabet Agency, 'Ramsey' and 'Sagan' by Associated Typographics, 'FX Nukari' by Differentialtype, 'Rollman' by Par Défaut, and 'Block' by Stefan Stoychev (names referenced only for comparison).
Keywords: headlines, branding, sports, posters, packaging, sporty, futuristic, energetic, assertive, dynamic, impact, speed, modernity, display strength, tech tone, oblique, rounded corners, squared forms, compact joints, sharp terminals.
A heavy, oblique sans with squared, superellipse-like bowls and consistently rounded corners. Strokes are broadly even, creating a solid, blocky silhouette with minimal modulation, while joins stay tight and angular to preserve a compact rhythm. Counters are relatively small and often rectangular, and the numerals and capitals maintain a sturdy, forward-leaning stance. Overall spacing feels engineered for impact, with dense black shapes and crisp internal cut-ins that keep forms legible at display sizes.
Best suited to headlines, logos, and short bursts of text where the bold, slanted shapes can project motion and attitude. It works well for sports identity, automotive or tech-themed graphics, posters, and punchy packaging, and is less ideal for long-form reading where the dense texture could become tiring.
The slanted, muscular construction reads fast and forceful, giving the type a sporty, high-speed tone. Its squared rounding and dense texture suggest a tech-forward, performance-minded personality that feels confident and modern rather than friendly or delicate.
The font appears designed to deliver maximum impact with a streamlined, speed-oriented slant and squared-rounded geometry. Its intent is to evoke performance and modernity while keeping letterforms sturdy and visually uniform for strong display presence.
The design language is consistent across uppercase, lowercase, and figures, with many forms leaning on straight segments and chamfer-like decisions rather than fully circular geometry. The punctuation in the sample holds the same weight and slant, supporting cohesive headline setting.