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Sans Superellipse Uglom 4 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'RBNo2.1' by René Bieder, 'Authority' by RetroSupply Co., and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: sports branding, posters, headlines, packaging, apparel, sporty, urgent, industrial, action, confident, impact, speed, space saving, display emphasis, brand marking, condensed, oblique, blocky, rounded corners, compact.


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A condensed, heavy oblique sans with a compact, forward-leaning stance and squared-off proportions softened by rounded corners. Strokes are consistently thick with minimal modulation, and terminals tend to be cut cleanly with a slight squareness rather than tapering. Counters are tight and often rectangular or superelliptical, giving letters a dense, engineered look. The overall rhythm is punchy and vertical, with sturdy forms in both caps and lowercase and numerals that read as solid blocks at display sizes.

This style works best for display typography such as sports and fitness branding, event posters, strong editorial heads, and product packaging where a compact, forceful voice is needed. It also fits apparel graphics and team or automotive-inspired visuals, and performs well in short UI labels where space is limited but emphasis is required.

The font projects speed and impact, with a sporty, no-nonsense tone that feels built for motion and competition. Its bold, slanted silhouette reads as assertive and energetic, suitable for attention-grabbing messaging. The squared geometry keeps it practical and industrial rather than playful.

The design appears intended to deliver maximum impact in a condensed footprint while maintaining a unified, rounded-rectangle construction. Its oblique posture and dense color suggest a focus on speed, strength, and immediate readability in headline settings.

At smaller sizes, the condensed width and tight counters can make long text feel dark and compressed, while at larger sizes the rounded-rectangle construction becomes a defining stylistic feature. The uppercase set is especially strong for short headlines, and the numerals share the same compact, blocky build for cohesive number-heavy layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸