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Serif Humanist Utva 5 is a regular weight, very narrow, medium contrast, upright, normal x-height font.

Keywords: book text, editorial, historical, packaging, headlines, bookish, antique, warm, literary, hand-worn, vintage texture, text economy, print mimicry, historical tone, bracketed, ink-trap, texty, compact, weathered.


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This typeface is a compact serif with strongly bracketed serifs and subtly irregular, inked contours that suggest a printed or lightly distressed impression. Strokes show clear modulation without becoming delicate, and terminals often end in small wedges or hooked forms. The proportions are condensed with a tight internal rhythm, while letterforms retain humanist shaping—rounds are slightly asymmetric and joins feel calligraphic rather than mechanical. Spacing appears relatively tight and the overall texture is dark and continuous, especially in longer text.

It suits editorial typography where a traditional, period-leaning voice is desired, including book interiors, essays, and magazine features. The condensed build also works well for headlines, pull quotes, and packaging or labels that benefit from a vintage, printed feel, particularly when a darker text color and compact line length are acceptable.

The font conveys an old-world, literary tone—evoking worn book type, broadsides, or period printing. Its slight roughness and compactness add a tactile, archival character, balancing seriousness with a handmade warmth rather than a polished, modern neutrality.

The design appears intended to reinterpret old-style text serifs with a condensed, economical footprint while preserving a calligraphic warmth. The slightly rough outlines and sturdy modulation suggest a deliberate effort to mimic the texture and character of ink on paper for a more authentic, historical reading experience.

Uppercase forms are tall and authoritative, with a narrow footprint and small but assertive serifs that help maintain legibility at text sizes. The figures are sturdy and straightforward, matching the text color of the alphabetic set, and the overall impression stays consistent across the sample paragraph despite the intentionally imperfect edges.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸