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Free for Commercial Use

Sans Normal Pikem 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Allrounder Grotesk Compressed' by Identity Letters, 'Helvetica Now' by Monotype, and 'Artico' by cretype (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, signage, playful, friendly, bold, retro, chunky, display impact, friendly tone, retro feel, handcrafted texture, rounded, soft corners, compact, bouncy, informal.


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A heavy, rounded sans with compact proportions and softened corners throughout. Strokes are thick and even, with gently squared terminals and subtly irregular, hand-cut curves that keep the rhythm lively rather than strictly geometric. Counters are relatively small for the weight, and many joins and bowls feel slightly pinched or beveled, giving the shapes a chunky, cutout-like solidity. The overall texture is dense and attention-grabbing, with clear, simple silhouettes that hold up well at larger sizes.

Best suited to posters, headlines, packaging, and bold brand marks where a friendly, chunky voice is desired. It can work for short bursts of text—such as callouts or product names—where its dense texture adds emphasis and character. For extended reading, it will generally perform better at larger sizes with generous spacing.

The font projects a cheerful, approachable tone with a retro sign-painting and poster sensibility. Its chunky mass and softened shaping feel upbeat and informal, adding warmth and personality without becoming overly whimsical. The overall impression is energetic and friendly, suited to designs that want bold impact with a human touch.

The design appears intended to deliver maximum impact with a warm, approachable personality—combining rounded, sturdy letterforms with slight cutout irregularities for a handcrafted feel. It prioritizes bold visibility and characterful texture, evoking retro display typography while staying clean and sans-driven.

The uppercase set reads particularly strong and stable, while the lowercase introduces more playful quirks in bowls and terminals. Numerals match the heavy, rounded construction and appear designed for headline use where presence matters more than delicate detail. In longer sample text, the dense color and tight interior spaces create a sturdy, headline-like block.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸