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Free for Commercial Use

Sans Other Jumoz 5 is a bold, narrow, low contrast, upright, normal x-height font.

Keywords: headlines, posters, signage, logos, packaging, industrial, gothic, mechanical, authoritative, vintage, display impact, compactness, industrial tone, gothic reference, geometric system, octagonal, beveled, angular, stencil-like, condensed.


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A condensed, heavy sans with sharply faceted, octagonal construction and consistent chamfered corners throughout. Strokes are mostly monolinear, with abrupt terminals and frequent internal cut-ins that create a slightly stencil-like, segmented rhythm. Counters are compact and geometric (notably in O, Q, and numerals), and joins tend to form pointed or notched intersections, giving the alphabet a rigid, engineered feel. Lowercase follows the same angular logic with simplified bowls and tall, straight stems, maintaining a tight, vertical texture in text.

Best suited to display settings where its angular faceting can be appreciated: headlines, posters, branding marks, and bold packaging panels. It can also work for short signage and labels that benefit from a compact footprint and high-impact letterforms, but it is less naturally comfortable for extended small-size reading due to its dense, segmented detailing.

The font projects a hard-edged, industrial voice with echoes of blackletter sign traditions translated into a modern, geometric sans. Its disciplined, machined shapes feel assertive and utilitarian, lending a historic-yet-technical tone rather than a friendly or casual one.

The design appears intended to merge a condensed industrial sans structure with blackletter-inspired, chiseled geometry, delivering a strong display voice that feels both vintage and engineered. Its systematic corner treatment and controlled rhythm suggest a focus on consistency and visual punch in titles and identity work.

The repeated chamfers and small interior breaks become more prominent at larger sizes, where the faceting reads as a deliberate stylistic motif. In longer lines, the condensed proportions produce a dense color and strong vertical cadence, while distinctive shapes for characters like G, S, and Z add personality without introducing true serifs.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸