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Free for Commercial Use

Sans Other Jumoz 5 is a bold, narrow, low contrast, upright, normal x-height font.

Keywords: headlines, posters, signage, logos, packaging, industrial, gothic, mechanical, authoritative, vintage, display impact, compactness, industrial tone, gothic reference, geometric system, octagonal, beveled, angular, stencil-like, condensed.


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A condensed, heavy sans with sharply faceted, octagonal construction and consistent chamfered corners throughout. Strokes are mostly monolinear, with abrupt terminals and frequent internal cut-ins that create a slightly stencil-like, segmented rhythm. Counters are compact and geometric (notably in O, Q, and numerals), and joins tend to form pointed or notched intersections, giving the alphabet a rigid, engineered feel. Lowercase follows the same angular logic with simplified bowls and tall, straight stems, maintaining a tight, vertical texture in text.

Best suited to display settings where its angular faceting can be appreciated: headlines, posters, branding marks, and bold packaging panels. It can also work for short signage and labels that benefit from a compact footprint and high-impact letterforms, but it is less naturally comfortable for extended small-size reading due to its dense, segmented detailing.

The font projects a hard-edged, industrial voice with echoes of blackletter sign traditions translated into a modern, geometric sans. Its disciplined, machined shapes feel assertive and utilitarian, lending a historic-yet-technical tone rather than a friendly or casual one.

The design appears intended to merge a condensed industrial sans structure with blackletter-inspired, chiseled geometry, delivering a strong display voice that feels both vintage and engineered. Its systematic corner treatment and controlled rhythm suggest a focus on consistency and visual punch in titles and identity work.

The repeated chamfers and small interior breaks become more prominent at larger sizes, where the faceting reads as a deliberate stylistic motif. In longer lines, the condensed proportions produce a dense color and strong vertical cadence, while distinctive shapes for characters like G, S, and Z add personality without introducing true serifs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸