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Free for Commercial Use

Serif Normal Otgaz 5 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'Kepler' by Adobe, 'Benton Modern' by Font Bureau, 'Empira' by Hoftype, 'Acta Pro Headline' by Monotype, and 'Mauren' by Nasir Udin (names referenced only for comparison).

Keywords: headlines, editorial, book covers, posters, branding, formal, dramatic, authoritative, classic, impact, editorial tone, classic authority, display emphasis, bracketed, wedge serifs, ball terminals, high-contrast, crisp.


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This serif typeface combines robust, heavy stems with sharply tapered hairlines, producing a striking high-contrast rhythm. Serifs are bracketed and often wedge-like, with crisp, chiseled terminals that read cleanly at display sizes. The lowercase shows a compact, sturdy structure with prominent vertical stress, round counters, and occasional ball-like terminals (notably on forms such as j and y), while the uppercase feels broad and stately with strong horizontal caps and a confident stance. Numerals are similarly weighty and sculptural, matching the text color of the letters and maintaining a consistent, editorial texture across lines.

It performs best in headlines, editorial display, and title settings where its high contrast and sculpted serifs can be appreciated. The strong text color also suits book covers, posters, and brand marks that need a traditional, authoritative voice with visual punch.

The overall tone is classic and authoritative with a distinctly dramatic, print-forward presence. Its high-contrast sparkle and confident weight lend a sense of formality and seriousness, suitable for settings that want tradition with impact rather than softness or neutrality.

The design appears intended as a conventional serif for impactful reading and publishing contexts, emphasizing a classic structure while pushing contrast and weight to create a more commanding display presence. Its consistent serif treatment and sturdy proportions suggest a goal of maintaining traditional readability while delivering a bold editorial tone.

In the text sample, the dense stroke weight creates a strong, dark typographic color, while the fine interior tapering and sharp terminals add brightness and detail within that mass. The letterforms favor clarity and stability over calligraphic looseness, with a consistent, disciplined construction across capitals, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸