Stencil Isly 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Cybersport' by Anton Kokoshka, and 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, logos, industrial, military, urban, rugged, mechanical, stencil marking, impact display, utility branding, rugged signage, blocky, geometric, angular, notched, condensed feel.
A heavy, block-constructed sans with geometric proportions and squared terminals. Stencil breaks are applied consistently across stems, bowls, and counters, creating vertical and horizontal bridges that carve the shapes into modular segments. Curves are minimal and tightly controlled, with rounded corners appearing only where needed; overall edges stay crisp and mechanical. The numerals and capitals are especially compact and forceful, with strong rectangular counters and occasional diagonal cuts that add a sharp, engineered rhythm.
Best suited for posters, headlines, and branding where a tough stencil look is desirable. It also fits wayfinding, warning-style signage, apparel graphics, and packaging that aims for an industrial or tactical aesthetic. For longer passages, it works most convincingly in short, high-impact phrases where the stencil texture can be appreciated.
The tone reads utilitarian and hard-edged, evoking markings on equipment, shipping crates, and industrial signage. Its segmented construction lends a tactical, no-nonsense attitude with a distinctly urban, street-ready presence.
The font appears designed to translate classic stencil construction into a modern, bold display voice, prioritizing strong silhouettes and repeatable bridge logic for a marked, functional look. Its geometry and deliberate breaks aim to stay legible while foregrounding an industrial, fabricated character.
The stencil joins are bold enough to remain visible at display sizes, producing a distinctive pattern of internal gaps that becomes part of the texture of words. The design’s squareness and tight internal spacing make it feel dense and assertive, especially in all caps.