Sans Superellipse Gimab 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Gimbal Grotesque' by AVP, 'Compose' and 'Protrakt Variable' by Arkitype, and 'Nusara' by Locomotype (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, friendly, punchy, playful, retro, sturdy, impact, approachability, geometric clarity, retro feel, display emphasis, rounded corners, blocky, soft geometry, high contrast (mass), compact counters.
This typeface is built from heavy, geometric strokes with rounded-rectangle (superelliptical) bowls and softly radiused corners. Curves and straights meet with minimal modulation, creating a consistent, monoline feel and a dense, high-ink silhouette. Counters are compact and often squared-off, while terminals are clean and blunt, producing a sturdy rhythm that stays highly uniform across the alphabet and numerals. The overall impression is deliberately simplified and graphic, with broad forms that remain legible through their strong internal structure.
It performs best in display roles such as headlines, posters, and large-format signage where its compact counters and dense color can be appreciated. The strong, rounded geometry also suits branding, packaging, and playful editorial callouts that need a confident, friendly voice.
The tone is bold and approachable: soft corners and rounded bowls keep it friendly, while the blocky construction gives it impact and confidence. It reads as playful and slightly retro, suited to attention-grabbing messaging without feeling aggressive.
The design appears intended to deliver maximum visual impact through simplified geometric construction and rounded-rectangle forms. By combining blunt terminals with softened corners, it aims for a balance of strength and approachability that reads clearly in short, bold statements.
Round letters like O, Q, and 0 lean toward squarish ovals, reinforcing the superellipse theme. In running text the heavy color creates a strong texture, so spacing and line breaks become an important part of maintaining clarity at smaller sizes.