Sans Superellipse Kymuw 3 is a very bold, very wide, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, signage, techy, industrial, futuristic, confident, sporty, display impact, technical tone, branding, systematic geometry, signage clarity, rounded, squared, blocky, compact, modular.
A heavy, rounded-rectangle sans with superelliptical construction and strongly squared counters. Curves resolve into soft corners rather than true circles, giving letters a modular, machined feel. Strokes are uniform and dense, with small apertures and tight interior space in letters like C, S, and e; terminals are blunt and consistently radiused. The overall rhythm is wide and steady, with sturdy verticals and simplified joins that prioritize silhouette clarity over calligraphic nuance.
Best suited to large-scale applications where its dense shapes and rounded-square geometry can read cleanly: headlines, poster typography, brand marks, packaging, and wayfinding-style signage. It can also work for UI or dashboard titling where a technical, modular voice is desired, though the tight apertures suggest avoiding very small sizes for long passages.
The tone is bold and engineered—more retro-futurist than friendly—evoking electronics, transport signage, and performance branding. Its rounded corners soften the mass, but the compact counters and squared geometry keep the voice assertive and utilitarian. The result reads as contemporary, technical, and slightly arcade-like.
The design appears intended to translate a rounded-rectangular, industrial geometry into a cohesive alphabet, emphasizing strong silhouettes, consistent corner radii, and a compact, sturdy texture. It aims for a distinctive display presence that feels engineered and modern while retaining a softened edge through generous rounding.
The figures follow the same squarish, softened geometry, with clear, chunky forms that hold up well at display sizes. Several glyphs show deliberately stylized details (notably in the angular cuts and squared bowls), reinforcing a constructed, system-like personality rather than a neutral text face.