Solid Umli 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'MC Goshco' by Maulana Creative (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, stickers, playful, quirky, hand-cut, retro, rowdy, handmade feel, attention-grabbing, silhouette-led, comic display, poster impact, chunky, angular, faceted, jagged, irregular.
A chunky, faceted display face built from blunt, angular strokes and uneven planes. The contours feel hand-cut, with frequent chamfered corners, slight wobble in verticals, and intentionally inconsistent detailing from glyph to glyph that produces a lively, irregular rhythm. Counters are largely collapsed into solid shapes, so letters read as heavy silhouettes with simplified interior structure. Proportions vary noticeably—some characters are compact and blocky while others stretch taller or wider—creating a distinctly non-uniform texture in words and lines.
Best suited for short, high-impact settings such as posters, event titles, album covers, packaging callouts, and logo wordmarks where its silhouette-driven forms can be read at a glance. It also works well for playful UI badges, stickers, and social graphics that benefit from a bold, handmade feel.
The overall tone is playful and offbeat, with a mischievous, DIY personality that reads more like cut paper or carved rubber than conventional type. Its bold silhouettes and rough geometry give it a loud, poster-like energy with a slightly retro, comic-spooky edge.
The design appears intended to prioritize personality over regularity, using choppy facets, collapsed counters, and uneven proportions to emulate a handmade, cut-out aesthetic. Its construction suggests a deliberate move toward bold, graphic shapes that stay expressive even when set in all caps or tight headlines.
Because many interior openings are filled, differentiation relies on outer silhouettes and distinctive notches; this makes the face strongest at larger sizes where those shapes are clear. The irregular widths and abrupt terminals add character but can make dense text feel busy, especially in long passages.