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Sans Normal Nogef 11 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Rabona' by AcidType, 'Bilya Layered' by Cerri Antonio, 'Metcon' by Comicraft, and 'Acherus Feral' by Horizon Type (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, friendly, playful, bold, approachable, retro, approachability, high impact, softness, nostalgia, display emphasis, rounded, soft, chunky, blobby, bouncy.


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A heavy, rounded sans with soft terminals and broadly swollen curves that give each letter a cushioned, almost “puffed” silhouette. Strokes are consistently thick with minimal modulation, and corners are heavily radiused, producing smooth joins and a compact, sturdy rhythm. Counters are generally generous for the weight (notably in O, P, R, and e), while some joins and apertures pinch slightly where strokes meet, adding a subtly irregular, hand-shaped feel. The lowercase is compact with sturdy stems and rounded shoulders, and the numerals follow the same bulbous geometry with simple, high-impact forms.

This font is well suited to bold headlines, posters, and large-format signage where its rounded mass and soft edges remain clear. It also fits branding and packaging—especially for friendly, casual products—where a warm, approachable voice is desired. Use with ample size and spacing for best clarity in longer passages.

The overall tone is warm and humorous, trading sharp precision for softness and charm. Its wide, rounded shapes feel welcoming and kid-friendly, with a hint of mid-century/packaging nostalgia. The weight and simplified forms project confidence and immediacy rather than restraint.

The design appears intended to deliver a high-impact display sans that feels soft and personable rather than austere. By emphasizing rounded geometry and thick, even strokes, it aims for immediate legibility at large sizes and a cheerful, approachable character for consumer-facing communication.

The design keeps a consistent roundness across caps, lowercase, and figures, creating strong cohesion in display settings. In text, the dense weight can cause internal spaces to close up at smaller sizes, so it visually favors larger setting and shorter runs where its personality can read clearly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸