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Free for Commercial Use

Hollow Other Ebza 4 is a bold, narrow, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, event branding, art deco, theatrical, vintage, eccentric, dramatic, distinctive texture, retro display, graphic impact, poster appeal, inline, bifurcated, modulated, capsule serif, stencil-like.


Free for commercial use
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A tall, condensed display face with strongly modulated strokes and frequent internal knockouts that split stems into paired rails or create inline-style cavities. Terminals often resolve into rounded, ball-like ends or small capsule-shaped serifs, while bowls and counters are tightly controlled and vertically oriented. The overall construction feels monolinear in some parts but repeatedly interrupted by cut-ins, notches, and hollow channels that produce a rhythmic, decorative texture across words. Spacing is compact and the silhouettes stay narrow, emphasizing verticality and crisp, graphic contrast between filled and hollow areas.

Best suited to display contexts where its decorative knockouts can be appreciated: posters, headlines, event and nightlife branding, packaging, and distinctive wordmarks. It can work for short bursts of copy and large-scale titling, while dense paragraph settings may feel visually busy due to the repeated internal hollows.

The font projects a theatrical, Art Deco–leaning personality—ornate, slightly quirky, and confidently retro. Its hollowed details and bulb terminals give it a show-poster flair, balancing elegance with a playful eccentricity that reads more “headline” than “text.”

The design appears intended to reinterpret condensed, vintage display lettering with a signature system of hollowed interruptions and rounded terminals, producing a memorable texture and strong vertical rhythm. It prioritizes character and pattern over neutrality, aiming to stand out in branding and promotional typography.

The distinctive internal cutouts become more prominent as letters repeat, creating a patterned effect in longer lines. Some glyphs mix fully filled strokes with partially outlined segments, adding to the eclectic, crafted feel and making the typeface especially sensitive to size and reproduction conditions.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸