Sans Faceted Tynu 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Neuron Angled' by Corradine Fonts, 'Isotonic' by Emtype Foundry, 'FF Clan' by FontFont, 'Mercurial' by Grype, 'Core Sans M' by S-Core, 'Robusta' by Tilde, and 'Quan Geometric' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, athletic, technical, modern, assertive, brand impact, geometric styling, industrial feel, signage clarity, chamfered, angular, blocky, compact, octagonal.
A heavy, angular sans built from straight strokes and chamfered corners, replacing most curves with clipped, faceted joins. Counters are mostly rectangular or octagonal, and terminals tend to end in flat cuts with consistent corner notches, giving the letters a machined, modular feel. Proportions are compact with sturdy verticals and simplified diagonals; the overall rhythm is tight and even, with clear, geometric silhouettes across caps, lowercase, and numerals.
Well suited for short, high-impact settings such as headlines, event graphics, team or athletic identity, badges, and product packaging where a tough geometric voice is desirable. It can also work for UI labels or technical graphics when used at sufficiently large sizes to preserve the faceted corner details.
The faceted construction and blunt weight convey a utilitarian, no-nonsense tone that feels engineered and impactful. Its sharp geometry reads as contemporary and performance-oriented, suggesting speed, hardware, and rugged precision rather than softness or warmth.
The design appears intended to translate a geometric, cut-metal aesthetic into a versatile sans, emphasizing chamfered corners and planar strokes for a distinctive, engineered look. The consistent clipping system across letters and numerals suggests a focus on brandable shapes that stay cohesive in both all-caps and mixed-case settings.
Distinctive octagonal forms show up strongly in round characters like O/Q and in numerals such as 0/8/9, while letters like S and G are rendered with stepped, planar turns. The lowercase keeps the same angular logic, producing a consistent texture in longer text, though the dense shapes favor display sizes where the corner detailing can be appreciated.