Sans Superellipse Fibaj 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Dignus' by Eurotypo, 'Forza' by Hoefler & Co., 'Neusa Neu' by Inhouse Type, 'Monto Grotesk' and 'Monto Screen' by Lucas Tillian, 'Glimp' by OneSevenPointFive, 'SK Reykjavik' by Salih Kizilkaya, 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, sports branding, posters, logos, product packaging, sporty, technical, dynamic, modern, confident, speed emphasis, modern branding, display impact, geometric clarity, oblique, rounded corners, soft square, compact, clean.
A slanted, heavy sans with soft-cornered, squarish curves that read as superellipse-like rather than purely circular. Strokes are monolinear with minimal contrast, and terminals are cleanly cut, giving the forms a crisp, engineered finish. Counters are fairly tight in letters like B, P, R, and e, while round characters such as O and 0 take on a rounded-rectangle silhouette. The uppercase is broad and sturdy, the lowercase is compact with a single-storey a and g, and the overall rhythm feels dense and forward-leaning.
This font is well suited to headlines, posters, and bold brand statements where a fast, modern voice is needed. It works especially well for sports and fitness identities, tech or automotive styling, and punchy logo wordmarks, and can also serve as a strong display companion in packaging or campaign graphics.
The overall tone is energetic and purposeful, with a contemporary, performance-oriented feel. Its oblique posture and squared rounding create a sense of speed and efficiency, suggesting sporty branding and modern tech without feeling overly cold.
The design appears intended to merge a streamlined italic stance with softened square geometry, producing a sturdy display sans that feels both modern and agile. The consistent monoline construction and compact counters prioritize impact and cohesion at larger sizes.
Figures are robust and headline-ready, with the 0 and 8 showing notably squared bowls and the 2/3/5 using flattened, aerodynamic curves. The italic angle is consistent across the set, and the generous weight helps maintain clarity in short bursts of text.