Sans Superellipse Enloy 11 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Hando' by Eko Bimantara, 'Moderna' by Los Andes, 'Alfabet' by Machalski, 'Ordina' by Schriftlabor, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: branding, headlines, product ui, posters, signage, modern, techy, sporty, clean, confident, modernize, add momentum, soften geometry, improve clarity, rounded corners, oblique slant, geometric, compact curves, crisp terminals.
A slanted sans with a geometric skeleton and rounded-rectangle curves throughout. Strokes are uniform with minimal modulation, and terminals are cleanly cut, often with angled endings that reinforce the forward lean. Counters and bowls tend toward superelliptical shapes (squared-off rounds), giving letters like O, D, P, and Q a soft-rectangular footprint. The overall rhythm is steady and engineered, with open apertures and sturdy joins that keep forms clear in both uppercase and lowercase, while numerals follow the same rounded, low-fuss construction.
It suits modern brand identities, product and interface typography where a clean geometric voice is needed, and display settings such as headlines, posters, and signage that benefit from an energetic slant. The uniform stroke behavior and rounded geometry also make it a good fit for tech, automotive, and sports-adjacent visual systems.
The tone feels contemporary and purposeful, with a forward-leaning energy that suggests speed and progress. Rounded corners keep it friendly and approachable, while the crisp geometry reads as technical and controlled rather than casual.
The design appears intended to blend geometric efficiency with softened superelliptical curves, producing a contemporary sans that feels fast and functional while staying approachable. The oblique construction and angled terminals seem chosen to add momentum and a modern, engineered personality.
Round forms consistently avoid perfect circles, favoring squarer curves that create a distinctive, slightly industrial softness. Diagonals and angled cuts add dynamism without introducing sharp aggression, and the overall spacing reads even and systematic in the sample text.