Sans Superellipse Fybuz 9 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Ramsey' by Associated Typographics, 'Bunken Tech Sans' by Buntype, 'Digital Sans Now' by Elsner+Flake, 'Mensura' by Graviton, and 'Klint' by Linotype (names referenced only for comparison).
Keywords: headlines, sports branding, posters, logos, gaming ui/stream overlays, sporty, futuristic, technical, energetic, assertive, speed emphasis, tech styling, high impact, distinctive silhouettes, oblique, angular, rounded corners, tight apertures, stencil-like cuts.
A heavy, oblique sans with a superelliptical construction: bowls and counters read as rounded rectangles, while corners are softened rather than fully circular. Strokes are uniform and weighty, with frequent chamfered or notched terminals that create crisp, engineered joins. Many glyphs show tight apertures and compact interior spaces, giving a dense, purposeful rhythm; curves are controlled and squared-off, especially in characters like O/Q and numerals. The overall texture is punchy and streamlined, with consistent slant and clean, display-oriented spacing.
Best suited to headlines, titling, and brand marks where the slanted, engineered shapes can signal motion and strength. It works well for sports and esports identities, tech-forward packaging, event posters, and interface accents such as dashboards or game menus. Use larger sizes to preserve the tight counters and internal cut details.
The tone is fast, mechanical, and performance-driven—suggesting speed, machinery, and competitive energy. Its mix of rounded-rectangle curves and sharp cut-ins feels contemporary and tactical, leaning toward motorsport, tech product, and sci‑fi interface aesthetics.
The design appears intended to fuse a utilitarian, industrial sans structure with a sense of speed and modernity. Rounded-rectangle geometry provides a cohesive system, while the angled cuts and oblique stance add urgency and a technical edge for high-impact display use.
The distinctive cut terminals and squared counters make the silhouettes highly characteristic, especially in caps and numerals, but the compact apertures can reduce clarity at small sizes. The figures and uppercase set feel particularly strong for impact-led compositions where shape recognition matters more than fine detail.