Sans Other Ohpi 11 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Fishmonger' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, techno, industrial, arcade, modular, assertive, impact, system design, retro tech, signage, angular, blocky, square, geometric, stencil-like.
A heavy, modular sans built from square and rectangular strokes with crisp 90° corners and occasional diagonal cuts. Counters are often boxy and inset, producing a mechanical, cut-out feel in letters like O, P, and B. Many curves are replaced by chamfers and straight segments (notably in S and C), while diagonals appear as blunt, wedge-like joins in A, K, V, W, X, and Y. Lowercase forms keep a compact, engineered look with simplified terminals and a single-storey a, and the numerals follow the same rectilinear logic with squared bowls and notched angles.
Best suited to display settings where bold geometry is an asset: headlines, titles, posters, and branding marks. It also fits game UI, tech-themed graphics, and packaging or labels that benefit from an industrial or arcade-like aesthetic. For longer text, it will be most comfortable at larger sizes with generous spacing.
The overall tone is stark and machine-forward, evoking digital signage, arcade-era display lettering, and utilitarian industrial labeling. Its sharp geometry and tight apertures project a confident, no-nonsense voice with a retro-futurist edge.
The letterforms appear intentionally constructed from a limited set of rectangular parts to create a distinctive, systematized look. The goal seems to be maximum visual punch and a recognizable techno/industrial character, using squared counters and chamfered joins to suggest precision and engineered formality.
The design relies on strong silhouette and negative-space cutouts rather than traditional roundness, which increases impact but can reduce clarity at small sizes where narrow apertures and interior squares may fill in. The rhythm feels deliberately modular, with repeated square motifs and consistent stroke endings that create a cohesive, system-like texture in text.