Sans Other Ofvu 2 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'React BTL' by BoxTube Labs, 'Offroad' by Grype, 'EFCO Colburn' by Ilham Herry, and 'MGT American Copper' by Magetype (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, game ui, industrial, retro, assertive, techno, poster, impact, compactness, modular style, high contrast shape, angular, blocky, condensed, geometric, square counters.
A heavy, condensed sans built from straight strokes and hard corners, with a strongly geometric, rectilinear skeleton. Curves are minimized into squared bowls and chamfer-like joins, creating crisp interior counters (notably in O, D, P, R) that read as rectangular cutouts. Stroke weight stays consistent across verticals, horizontals, and diagonals, producing a solid, uniform color with tight apertures and compact spacing. The lowercase follows the same modular construction, with a single-storey a and g, narrow i/j with square dots, and a tall, tight rhythm that keeps word shapes blocky and vertical.
Best suited for headlines, posters, branding marks, and packaging where bold, compact letterforms need to hit with maximum impact. It also fits game UI, tech-themed graphics, and signage-style applications where an angular, engineered aesthetic supports the message.
The font projects an industrial, utilitarian tone—mechanical and no-nonsense—with a distinctly retro arcade/techno flavor. Its dense, angular forms feel engineered and punchy, lending a confident, attention-grabbing voice rather than a conversational one.
The design appears intended to deliver a compact, high-impact display voice using a modular, squared construction that stays consistent across cases and numerals. Its simplified geometry prioritizes strong silhouettes and a disciplined rhythm over softness or calligraphic nuance.
Several characters lean into stencil-like inner cutouts and squared counters, which enhances differentiation at display sizes but can close up in smaller settings due to tight apertures. Numerals mirror the same squared geometry, with strong vertical emphasis and clear, sign-like silhouettes.