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Sans Superellipse Momij 5 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Brookside JNL' and 'Factual JNL' by Jeff Levine, 'Pariphoom Compressed' by Jipatype, 'Maximalis' by Say Studio, and 'Competition' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, app headers, sporty, urgent, assertive, retro, dynamic, compact impact, speed cue, display emphasis, industrial clarity, condensed, oblique, rounded corners, ink-trap feel, compact.


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A condensed oblique sans with heavy, uniform strokes and rounded-rectangle construction throughout. Curves resolve into soft corners rather than perfect circles, giving counters a squarish, superelliptical feel. Terminals are mostly blunt and slightly softened, and several joins show subtle notches that read like functional ink-trap shaping. Spacing is tight and the rhythm is compact, producing a dense, forward-leaning texture in text. Numerals and capitals share the same streamlined, engineered silhouette, with simplified interior shapes and minimal modulation.

Best suited to short, high-impact settings such as headlines, posters, sports and event graphics, product packaging, and bold UI/header treatments. Its condensed width and strong slant make it effective where space is limited but a loud, energetic presence is needed, while the simplified shapes keep large-scale text readable.

The overall tone is fast and forceful, with a motion-forward slant that suggests speed and pressure. Its compact, rounded-industrial forms feel athletic and utilitarian, leaning into a confident, no-nonsense voice with a hint of retro display energy.

This font appears designed to deliver maximum impact in a tight footprint, combining an oblique stance with rounded-rectilinear geometry for a fast, engineered look. The softened corners and small notches at joins suggest attention to durability and legibility under heavy stroke weight, aiming at contemporary display typography with sporty, industrial overtones.

The design maintains a consistent oblique angle and a disciplined, compressed proportion across the set, which helps it hold together in impactful headlines. The rounded corners and occasional cut-ins at joins add clarity at heavy weights and reinforce a technical, performance-oriented character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸