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Free for Commercial Use

Sans Other Ofwi 5 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'School Activities JNL' by Jeff Levine, 'Nulato' by Stefan Stoychev, and 'Radley' by Variatype (names referenced only for comparison).

Keywords: headlines, posters, logos, game ui, sports branding, industrial, techno, arcade, futuristic, assertive, impact, tech styling, display clarity, brand mark, retro digital, square, angular, blocky, condensed caps, chamfered.


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A heavy, block-built sans with strongly squared outlines and crisp right angles, softened occasionally by small chamfered cuts. Counters are mostly rectangular, and curves are minimized into faceted geometry, giving letters a machined, modular feel. Uppercase forms read wide and sturdy, while lowercase shows simplified, compact constructions with a notably tall x-height and minimal stroke modulation. Terminals are blunt and flat, spacing is tight and rhythmic, and the overall texture is dense and high-impact.

Best suited to short, bold settings such as headlines, posters, wordmarks, and branding that benefits from a rugged techno voice. It also fits interface or display contexts—like game UI, esports or sports identities, packaging callouts, and event graphics—where high contrast against the background and decisive letter shapes are priorities.

The face conveys a tough, engineered personality—part industrial signage, part retro-digital display. Its angular cuts and squared counters suggest speed, hardware, and arcade-era graphics, producing an energetic, no-nonsense tone that feels modern and slightly dystopian.

The design appears intended to deliver maximum impact with a compact, geometric construction that remains legible at display sizes. By reducing curves, emphasizing squared counters, and adding subtle chamfers, it aims to create a distinctive, industrial-tech signature while preserving the straightforward behavior of a sans.

Distinctive squared apertures and the frequent use of diagonal notches add character without introducing decorative flourishes. The strong geometry stays consistent across letters and figures, helping the design hold together in large headline settings where its silhouette and corners can carry the style.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸