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Free for Commercial Use

Sans Other Nedim 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Dreambox' by Bale Type, 'Muller Next' by Fontfabric, 'Antry Sans' by Mans Greback, 'Karmaline' by Mysterylab, 'Hanz' by Santi Rey, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids media, stickers, playful, chunky, friendly, handmade, cartoony, impact, approachability, informality, handmade feel, display emphasis, rounded, soft corners, compact, bouncy, quirky.


Free for commercial use
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A compact, heavy sans with softly rounded corners and slightly irregular, hand-cut contours. Strokes are thick and largely uniform, with subtle wobble that creates a lively texture rather than crisp geometry. Counters are small and sometimes asymmetrical, and terminals tend to look blunt and gently curved. Proportions feel condensed overall, with a sturdy vertical emphasis and simplified shapes that favor bold silhouettes over fine detail.

Best suited for bold display roles such as posters, headlines, social graphics, and packaging where the chunky shapes can read quickly and add character. It also fits playful contexts like children’s materials, casual branding, and attention-grabbing labels. Use generous size and spacing for multi-line copy to keep the small counters from closing up.

The font projects a playful, approachable personality with a casual, handmade feel. Its bouncy rhythm and chunky forms suggest humor and informality, closer to cartoon titling than corporate neutrality. The texture reads energetic and human, lending warmth and immediacy to short phrases.

The design appears intended to deliver maximum visual punch with a friendly, informal voice. Its simplified, rounded construction and subtly uneven edges prioritize personality and immediacy, aiming for a cartoonish, approachable display sans rather than a strictly geometric or text-optimized style.

At display sizes the dense fill and tight counters create strong impact, while in longer lines the heavy massing can make spacing and internal openings feel crowded. The letterforms maintain consistent weight and a cohesive, slightly quirky rhythm across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸