Sans Superellipse Fyreb 12 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Cantiga' by Isaco Type, 'Interval Next' by Mostardesign, 'Core Sans N' and 'Core Sans NR' by S-Core, 'Scansky' by Satori TF, 'Mally' by Sea Types, 'Indecise' by Tipo Pèpel, and 'Marble' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, social ads, sporty, urgent, confident, punchy, modern, high impact, dynamic emphasis, modern branding, display readability, oblique, slanted, rounded, bulky, compact.
A heavy, oblique sans with rounded, superellipse-like curves and broad, compact counters. Strokes are thick and fairly even, with softened corners and a slightly compressed feel that keeps letters dense and blocky. The lowercase uses single-storey forms (notably a and g), with short, sturdy terminals and a generally upright construction pushed forward by the slant. Numerals and capitals match the same robust, rounded geometry, producing a consistent, high-impact texture in both display lines and short text.
Best suited to headlines, short statements, and branding where impact and motion matter—sports, fitness, streetwear, event promotion, and bold packaging callouts. It can work for brief subheads or pull quotes, but the dense, heavy forms are most effective when given room and used at larger sizes.
The overall tone is assertive and energetic, with a forward-leaning motion that reads as athletic and promotional. Its chunky curves and tight interiors give it a loud, headline-driven personality that feels contemporary and attention-seeking rather than delicate or formal.
The design appears intended to deliver maximum punch with a smooth, rounded, geometric feel—combining a strong italic stance for speed with softened corners for a friendly, modern edge.
Round letters like O, Q, and 0 are notably squarish-rounded, reinforcing the superellipse construction. The italic angle is strong enough to create momentum, and the dense black shapes can make spacing feel tight at smaller sizes, favoring larger settings.