Sans Superellipse Odgu 11 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Autoprom Pro' by Stefan Stoychev (names referenced only for comparison).
Keywords: headlines, logos, posters, ui labels, gaming, futuristic, techy, playful, solid, friendly, tech branding, display impact, ui clarity, geometric consistency, rounded, squared, geometric, soft corners, compact counters.
A heavy geometric sans built from rounded-rectangle and superellipse-like forms. Strokes are consistently thick with softly radiused corners, producing a smooth, molded silhouette rather than sharp terminals. Counters tend to be compact and rectangular (notably in letters like O, P, B, and 8), and many joins are simplified into clean blocks for strong legibility at display sizes. The overall rhythm is broad and stable, with slightly condensed interior spaces and a deliberately uniform, engineered feel across upper- and lowercase as well as figures.
Best suited for headlines, logos, packaging, posters, and short bursts of copy where its chunky geometry and rounded-square voice can read clearly. It also works well for interface labels, dashboards, and game branding where a techno-modern tone is desirable, especially at medium to large sizes.
The rounded-square construction reads modern and machine-made, with a distinctly futuristic, game/UI flavor. At the same time, the softened corners keep it approachable and playful, avoiding the harshness of fully squared techno faces. The result feels confident and sturdy—more “digital hardware” than “corporate neutrality.”
The design appears intended to deliver a bold, contemporary sans with a superelliptical, rounded-rectangle construction—prioritizing impact, clarity, and a recognizable “tech” personality. Its simplified shapes and compact counters suggest a focus on strong silhouettes and consistent texture rather than delicate typographic nuance.
Several glyphs lean into stylized, tech-signage conventions (e.g., squared bowls, minimal apertures, and blocky diagonals in V/W/X). The lowercase is visually close in weight and presence to the uppercase, reinforcing a compact, display-oriented texture in text settings.