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Free for Commercial Use

Sans Other Olbu 3 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Stallman' and 'Stallman Round' by Par Défaut and 'Quayzaar' by Test Pilot Collective (names referenced only for comparison).

Keywords: posters, headlines, logotypes, game ui, packaging, arcade, sci-fi, industrial, techno, aggressive, display impact, tech aesthetic, retro arcade, graphic identity, mechanical feel, angular, blocky, squarish, stencil-like, chiseled.


Free for commercial use
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A blocky, angular sans with squared counters, clipped corners, and straight-sided strokes that keep a consistent thickness. Many joins terminate in sharp notches or wedge-like cuts, producing a chiseled, almost stencil-like construction without true breaks. Proportions are generally expanded and geometric, with compact apertures and tight internal spacing that create dense, high-contrast silhouettes against white space. The overall rhythm is rigid and modular, with strong horizontal emphasis and boxy curves replaced by faceted forms.

Best suited for short, high-impact settings such as posters, headlines, titles, and branding marks where the angular details can be appreciated. It also works well for game interfaces, tech-themed graphics, and packaging or labels that benefit from a rugged, mechanical voice. For long-form text, its dense counters and sharp interior shapes can become visually tiring.

The tone feels retro-tech and game-like—part arcade display, part industrial signage—with a slightly menacing edge from the serrated terminals and narrow apertures. Its angular geometry reads as futuristic and mechanical rather than friendly or humanist.

The design appears intended to deliver an unmistakable, stylized display voice built from modular, squared forms with aggressive cut terminals. It prioritizes graphic character and thematic impact over neutrality, aiming for a techno/arcade identity that remains consistent across uppercase, lowercase, and figures.

At smaller sizes the compact counters and heavy interior corners may fill in visually, while at larger sizes the distinctive cut-ins and squared geometry become a defining texture. The numerals match the same faceted construction, keeping a consistent, emblematic look across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸