Sans Other Ohdy 13 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, gaming ui, tech branding, techno, industrial, futuristic, arcade, mechanical, display impact, tech aesthetic, modular geometry, signage clarity, squared, angular, boxy, stencil-like, geometric.
A heavy, geometric sans with squared counters and predominantly straight, orthogonal construction. Curves are minimized or treated as softened corners, producing a boxy silhouette with consistent stroke thickness and compact, engineered proportions. The lowercase is built from the same modular logic as the uppercase, with short joins and flat terminals; many glyphs use rectangular bowls and notches that create a slightly stencil-like, cut-in feel. Numerals follow the same hard-edged system, reading as solid, blocky forms suited to large sizes.
Best suited to headlines, posters, branding marks, and short display lines where its angular details and dense weight can read clearly. It also fits game titles, esports graphics, and tech-oriented UI elements when used at larger sizes with generous spacing. For extended paragraphs, its compact shapes and strong texture may feel heavy, so it’s more effective as a display face than a primary text font.
The overall tone feels techno and industrial, with an arcade-style solidity that suggests machinery, signage, and interface graphics. Its rigid geometry and squared apertures give it a purposeful, utilitarian voice rather than a friendly or humanist one.
The letterforms appear designed to deliver a strong, futuristic display presence using a modular, squared construction and distinctive cut-in counters. The system prioritizes impact and a mechanical, engineered aesthetic over calligraphic nuance, aiming for consistent, bold shapes that hold up in graphic applications.
The design relies on distinctive internal cutouts and squared apertures to differentiate letters, which increases character but also makes the texture visually dense. Diagonals appear in select forms (e.g., K, V, W, X) but are kept broad and planar, maintaining the font’s constructed, modular rhythm.