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Free for Commercial Use

Sans Superellipse Fonif 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'European Sans Pro' and 'European Soft Pro' by Bülent Yüksel, 'Panton' and 'Uni Neue' by Fontfabric, and 'Anantason Mon' and 'Anantason Reno' by Jipatype (names referenced only for comparison).

Keywords: branding, headlines, packaging, posters, app ui, sporty, friendly, retro, energetic, playful, display impact, friendly tone, motion, brand presence, screen legibility, rounded, slanted, soft corners, bouncy, compact.


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A heavy, forward-slanted sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and even with minimal contrast, producing strong silhouettes and a compact, slightly condensed feel in many letters. Curves are superelliptical rather than circular, with broad terminals and smooth joins that keep counters open despite the weight. The rhythm is lively and slightly bouncy, with consistent curvature and a steady baseline presence that reads cleanly at display sizes.

This face performs best in branding and short-form display typography such as headlines, posters, packaging, and punchy social graphics. The strong weight and rounded structure help it hold up on screens and in signage, especially where a friendly, energetic voice is desired. It can also work for UI accents and labels, though long passages may feel dense due to the heavy stroke and pronounced slant.

The overall tone is upbeat and approachable, with a sporty, vintage-adjacent swagger. Its rounded geometry and pronounced slant give it motion and warmth, suggesting informal confidence rather than strict neutrality. The result feels well-suited to fun, energetic messaging where friendliness and impact matter.

The design appears intended to combine bold impact with soft, rounded geometry, creating a sense of motion and approachability. Its slanted stance and superelliptical forms aim for quick recognition and a contemporary-retro flavor without decorative complexity.

Uppercase forms stay simple and sturdy, while lowercase shapes lean into soft, rounded bowls and compact apertures for a cohesive, punchy texture. Numerals match the letterforms with broad, rounded shapes and clear, high-contrast silhouettes against the page (despite low stroke contrast).

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸