Sans Superellipse Yesy 7 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'Enotria' by Aspro Type, 'Muller Next' by Fontfabric, 'Molde' by Letritas, and 'PODIUM Sharp' by Machalski (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, assertive, industrial, retro, impact, motion, branding, sturdiness, slanted, rounded, oblique, chunky, compact counters.
A heavy, right-slanted sans with broad proportions and rounded-rectangle construction throughout. Strokes are thick and largely uniform, with softened corners and flattened curves that give bowls and counters a squarish, superelliptical feel. Terminals are clean and blunt, apertures are relatively tight, and interior counters stay compact at display sizes. The rhythm is sturdy and forward-leaning, with a consistent, engineered geometry across uppercase, lowercase, and numerals.
Best suited for short, high-impact settings such as headlines, posters, and large-format graphics where its mass and slant can carry energy. It can work well for sports branding, product packaging, and punchy signage, especially when a modern, engineered look is desired. For long text, its tight counters and heavy color suggest using generous size and spacing.
The overall tone is punchy and kinetic, suggesting speed and impact. Its rounded industrial shapes and strong slant read as athletic and action-oriented, while the softened corners keep it approachable rather than aggressive.
The design appears intended to deliver maximum visual weight and momentum through wide, rounded-rectangle forms and a strong slant. It prioritizes bold recognition and a cohesive geometric voice across glyphs, aiming at branding and display use where speed, strength, and clarity are key.
Uppercase forms feel blocky and stable, while lowercase maintains a high, prominent x-height that keeps words dense and bold on the line. Numerals follow the same rounded-rect logic, giving sequences a unified, logo-like presence. The oblique angle is pronounced enough to signal motion without becoming script-like.