Sans Superellipse Suwo 14 is a very bold, normal width, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, packaging, signage, industrial, retro, assertive, technical, sturdy, display impact, geometric uniformity, retro-tech feel, compact emphasis, sign-like clarity, rounded corners, rectilinear, compact, monolinear, blocky.
A heavy, monolinear sans built from rounded-rectangle and superelliptical shapes, with squared counters and softened corners throughout. Strokes keep a consistent thickness and form a compact, engineered rhythm, with broad verticals and tightly controlled apertures that read as deliberate cut-ins rather than open curves. Curves resolve into flattened arcs, giving round letters a boxy silhouette, while diagonals (e.g., in K, V, X, Z, 7) feel sharply machined against the otherwise rectilinear framework. Numerals match the same squared, rounded-corner construction for a cohesive, sign-like texture.
Best suited to display applications where bold presence and a constructed, geometric feel are desirable—headlines, posters, branding marks, packaging, and wayfinding/signage. It can also work for short interface labels or scoreboards where compact, high-impact letterforms are preferred over airy readability.
The tone is bold and utilitarian, with a retro-industrial flavor reminiscent of sports titling, arcade or sci‑fi interfaces, and stamped or molded lettering. Its squared rounds and dense black shapes project confidence and toughness rather than softness, making the overall voice direct and attention-grabbing.
The design appears aimed at delivering a strong, contemporary-take-on-retro title face: highly geometric, built from rounded rectangles, and optimized for punchy impact in large sizes. Consistent stroke weight and squared counters suggest an intention to feel engineered and uniform across letters and numerals.
Many glyphs use squared internal openings and narrow joints, creating strong silhouette recognition at display sizes but a more closed, inky texture as sizes get smaller. The punctuation and figures share the same chunky, rounded-corner logic, helping mixed alphanumeric settings feel uniform and intentional.