Print Vimun 10 is a regular weight, very narrow, medium contrast, upright, short x-height font.
Keywords: headlines, posters, packaging, book covers, quotes, quirky, hand-drawn, vintage, playful, casual, personality, handmade feel, compact display, retro flavor, condensed, tall, loopy, soft terminals, uneven rhythm.
A tall, condensed hand-drawn print with lightly irregular stroke behavior and gently softened terminals. The letterforms are mostly monoline with subtle modulation, giving a slightly calligraphic feel without true connections. Proportions are narrow and vertically stretched, with compact counters and a relatively small x-height that makes ascenders and capitals feel prominent. Curves are slightly lopsided in a human way, and several glyphs show distinctive hooks and loops (notably in forms like J, g, y, and the numerals), creating an organic, uneven rhythm across words.
Well-suited to display settings where a compact, characterful voice is desirable—posters, book covers, packaging, café/retail signage, and quote graphics. It can also work for short blurbs or captions, but its condensed proportions and hand-drawn irregularities are most effective when given enough size and leading to breathe.
The overall tone feels personable and quirky, like neat marker or pen lettering made for headings and captions. Its condensed, tall stance adds a slightly retro poster flavor, while the irregularities keep it friendly and informal rather than polished or corporate. It reads as expressive and conversational, with a touch of whimsy.
The design appears intended to emulate tidy, hand-rendered lettering with a narrow footprint, combining legibility with intentional quirks. Its emphasis on tall verticals and lively curves suggests a goal of delivering personality and a slightly vintage, poster-like presence in display typography.
In text, the narrow set and tall capitals create a strong vertical cadence, and the pronounced descenders add character in mixed-case lines. Spacing appears open enough to keep the condensed shapes from clumping, but the distinctive, idiosyncratic forms will remain a visible stylistic feature even at moderate sizes.