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Wacky Kubu 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Blooms' by DearType, 'Chortler' by FansyType, 'Chandler Mountain' by Mega Type, 'Extatica' by Mint Type, 'Trade Gothic Display' by Monotype, 'Otoiwo Grotesk' by Pepper Type, 'Nuber Next' by The Northern Block, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, album art, playful, quirky, loud, retro, industrial, visual impact, graphic texture, novelty display, stencil motif, stencil cut, rounded corners, blocky, modular, cutout bar.


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A heavy, blocky sans with rounded outer corners and pronounced midline cutouts that read like stencil breaks. The forms are built from simple geometric masses, with wide verticals and flattened curves that create a compact, poster-like texture. Many glyphs feature a consistent horizontal “slice” through the middle, producing a segmented rhythm across words; curves (like C/O/S) appear truncated where the cut passes through. Spacing appears generous and the overall silhouette is sturdy and uniform, prioritizing bold shape recognition over fine detail.

Best suited to large display settings where the midline cutouts can act as a graphic motif—posters, punchy headlines, branding marks, packaging callouts, and album/event artwork. It can also work for short UI labels or badges when you want a bold, unconventional voice, but it’s less appropriate for long-form reading.

The repeated midline breaks and chunky geometry give the font a playful, disruptive attitude—part retro display and part utilitarian stencil. It feels attention-seeking and slightly mischievous, with an engineered, cut-and-paste energy that reads as intentionally odd rather than purely functional.

Likely designed as a statement display face where a single, consistent disruption—the horizontal midline break—turns otherwise straightforward block letters into a distinctive visual system. The goal appears to be immediate impact and recognizability, creating a strong branded texture across words.

The midline segmentation is strong enough to become a pattern across running text, which increases visual noise and can reduce legibility at smaller sizes. Numerals and capitals maintain the same cutout logic, helping headings, labels, and short statements feel cohesive and graphic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸