Sans Faceted Ashe 14 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gainsborough' by Fenotype, 'Flintstock' by Hustle Supply Co, 'Eckhardt Poster Display JNL' by Jeff Levine, and 'Hemispheres' by Runsell Type (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, sporty, assertive, retro, utilitarian, high impact, geometric edge, signage feel, brand presence, octagonal, beveled, blocky, stencil-like, compact.
A heavy, block-built sans with planar, faceted corners that replace most curves with clipped, octagonal geometry. Strokes are consistently thick with minimal contrast, producing dense counters and a compact, high-impact silhouette. Terminals and joins tend to be squared-off and chamfered, giving letters a machined, cut-metal feel. The lowercase follows the same angular construction, and the figures are similarly rigid and modular, emphasizing firmness over softness.
This font is well suited to headlines, posters, and title treatments where a strong, graphic presence is needed. It can work effectively for sports branding, team or event marks, product packaging, and signage-style applications that benefit from an industrial, engineered look. Use at medium-to-large sizes to preserve clarity in the tight counters and notches.
The overall tone is bold and no-nonsense, leaning toward athletic and industrial signage aesthetics. Its sharp facets and compressed counters project toughness and immediacy, reading as confident and slightly retro-tech. The rhythm feels punchy and attention-grabbing rather than refined or delicate.
The design appears intended to deliver maximum impact through a consistent system of chamfered, polygonal forms. By translating curves into facets and keeping stroke weight uniform, it aims for a rugged, manufactured aesthetic that stands out in display settings.
The faceting is applied consistently across rounds (like O/C/G/0) and diagonals, creating a coherent system of clipped corners throughout the set. In text, the strong color and tight interior spaces make it best suited to short bursts where impact matters more than airy readability.