Sans Faceted Ufte 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Heavy Duty' by Gerald Gallo, 'Midfield' by Kreuk Type Foundry, 'Stallman Round' by Par Défaut, 'Amboy' by Parkinson, 'Block' by Stefan Stoychev, and 'Huberica' by The Native Saint Club (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, industrial, techno, sporty, assertive, retro, impact, sturdiness, mechanical tone, display clarity, modular system, blocky, squared, chamfered, compact, geometric.
A heavy, block-constructed sans with squared proportions and pronounced chamfered corners that replace full curves with planar facets. Strokes are consistently thick with minimal contrast, and counters tend toward rectangular cutouts, giving letters a punched, mechanical feel. Terminals are mostly flat and clipped, with tight apertures and sturdy joins that keep forms compact and resistant to visual noise. The overall rhythm is dense and modular, with slight width variation across glyphs while maintaining a uniform, rigid silhouette.
Best suited for display settings such as headlines, posters, logos, and bold brand marks where its angular, compact shapes can read as a distinctive graphic element. It also fits sports identities, product packaging, and interface or game-themed graphics that benefit from a tough, engineered voice. Use with generous size and spacing when clarity is critical due to the dense internal spaces.
The tone is bold and utilitarian, evoking industrial labeling and techno display aesthetics. Its faceted geometry reads as energetic and competitive, with a retro arcade/sci‑fi edge that feels purposeful rather than playful. The overall impression is strong, direct, and machine-made.
The design appears intended to deliver maximum visual impact through rigid geometry and chamfered, faceted construction, offering a sturdy alternative to rounded grotesques. It prioritizes a mechanical, modular look that remains consistent across uppercase, lowercase, and figures for strong, uniform typographic color in display applications.
At smaller sizes the tight counters and squared apertures can begin to close up, while at larger sizes the faceting and clipped corners become a defining texture. The numerals share the same block logic, reinforcing a cohesive, signage-like system.